Rajorshi Das
Indraprastha College for Women, Delhi
Volume VII, Number 2, 2017 I Full Text PDF
DOI: 10.25274/bcjms.v7n2.v7n2eng01
Abstract
Set in 1962 United States, Christopher Isherwood’s A Single Man (1964), initially conceptualised as An English Woman, is considered to be the author’s magnum opus. It focuses on a day in the life of the protagonist, George – a Los Angeles professor who struggles to cope up with the bereavement of his male partner and finds himself in a state of perpetual exile. While the trope of loneliness (central to many queer writings) is integral to the understanding of the protagonist’s psyche, I argue that it is the Modernist “ethos of impersonality” (Gonzalez 758)[i] that allows us to explore the notions of minority consciousness[ii] and gay identity politics in contemporary times.
Keywords: Christopher Isherwood, A Single Man, queer, performance, queer militancy
[i] Gonzalez (2013) in fact argues that the novel is a celebration of identity politics as a primary “weapon of literary-cultural gay activism” (758).
[ii] Claude Summers (2007) identifies this as the central concern of the novel
Related Posts:
- Book Review of Panorama: A Collection of Short Stories by Shilpi Chaklanobis
- Physical Fitness and Performance Indicators of Indian Female Volleyball Players: the Need for individual Data
- Customer Perception and Satisfaction towards Basmati Rice in Jammu Region of J&K State
- A Study on Work-related Stress among the Teachers and Administrators of Privately Managed Business Schools in West Bengal
- Effectiveness of Elementary Education Curriculum in some CBSE schools of Patna with respect to teacher motivation and student achievement
- A study of academic stress and its effect on self efficacy of the students